Arts
Gracie Abrams Concert Review: The Community of Nostalgia
Abrams’ performance was at once deeply personal and universal, an exhilaration of feelings too powerful to be conquered alone.
Artist Profile: Raymond Ablack on Catching the Acting Bug — And Never Letting Go
Raymond Ablack is no stranger to the screen.
Harvard Authors Profile: Youmna M. Chamieh ’21-’22 on How to Look at the World Sideways
Comfortability with ambiguity bleeds into Chamieh’s writing; her empathy as she searches for reconciliation between diverging narratives is palpable.
Youmna M. Chamieh Profile Photo
Youmna M. Chamieh ’21-’22 sat down with The Crimson to discuss her career and writing journey.
‘F1’ Review: Hollywood Hurrah, Formula Failure
With Brad Pitt in the driver’s seat and Apple Studios behind the wheel, "F1" tends to race toward a Hollywood spectacle over being a true homage to the sport.
‘F1’ Still
Damson Idris as Joshua Pearce and Brad Pitt as Sonny Hayes in Apple Original Films’ “F1 The Movie."
‘Good Girl’ Review: Emotional Excess and Existentialism
“Good Girl” is an addictive immersion into the gaudy world of Berlin nightlife, weaving together a teenager’s hazy memories with keen observations on art.
‘The Dream Hotel’ Review: Deeply Philosophical But Exaggeratedly Didactic
“The Dream Hotel” offers an immersive although sometimes overly didactic exploration of what it means when all of our actions are tracked.
A Critical Eye: Alternative Visions of Motherhood at the Harvard Film Archive
“Mildred Pierce” (1945) explores the lengths to which a mother would go in order to protect her children.
‘Notes on Infinity’ Review: In Search of Immortality — At Harvard
“Notes on Infinity" is a solid story of a biotech start-up cultivated in the petri dish of ambition that is Harvard.
‘The POMtastics!’ Review: Student Film Reminds Viewers that Youth is a Mindset
Anna Carroll shows audiences that age is nothing but a number with “The POMtastics.”
From Boston Calling 2025: Vampire Weekend Caps Off The Weekend With A Charming Performance
Vampire Weekend’s performance gave each song room to breathe, allowing moments for the band to jam out in a way that added energy to each song.
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
'The Light in the Piazza' Performance Photo
Joshua Grosso and Sarah-Anne Martinez in “The Light in the Piazza.”
‘Is a River Alive?’ Review: A Stilted Love Letter to the Natural World
Ecological, nonfiction work "Is A River Alive?" explores the animacy and integrity of nature, but suffers from awkward pseudo-poetic statements.
Is Deinfluencing Just Another Aesthetic?
Deinfluencing, originally meant to challenge the influencer economy, now runs the risk of becoming its own consumption-seeking performance.
Deinfluencing Graphic
Deinfluencing has become popular across social media platforms — but is it really all that it seems?