Film
‘The First Omen’ Review: A Prequel that Fails to Measure Up
The prequel to David Seltzer's 1976 film "The Omen" is a passable film that leaves something to be desired in its visuals and conclusion.
‘Love Lies Bleeding’ Review: Subverting Tropes Around Crime, Thriller, and Love
The movie begins as one would expect. However, the film quickly divulges into a wild, thrilling narrative that keeps viewers on the edge of their seats.
Artist Profile: Maria ‘Bimba’ I. Carpenter ’26 on Elevating the Mundane Through Comedic Filmmaking
Though she’s still learning, practicing, and working on her craft, Maria "Bimba" Carpenter has that forward momentum.
Listicle: Films to Watch on 4/20
The best, unofficial holiday is just around the corner and picking the right movie is key to maximizing the 4/20 experience.
‘Girls State’ Review: God Can Save the World, Women Will Save America
"Girls State" serves as a welcomed companion to Amanda McBaine and Jesse Moss's previous documentary, "Boys State."
‘Challengers’ Review: Too Hot to Handle Itself
While its script is intriguing, "Challengers" tries to differentiate itself from the sports genre too dramatically with technical elements and sexual subplots.
My Top Ten A24 Films, in No Particular Order
A24 films have become synonymous with innovation and emotional depth. Here are my top ten that have left an indelible mark on my heart and mind.
‘Monkey Man’ Review: An Action-Packed Cultural Immersion
While “Monkey Man” has its slow and clichéd moments, it ultimately packs a punch just as powerful as its protagonist’s.
‘Imaginary’ Review: A Film That Lacks Imagination
“Imaginary” has snippets of potential, but the lack of imagination throughout the film takes viewers out of the story and holds the film back.
‘Palm Springs’ Review: Step Aside ‘Groundhog Day’
"Palm Springs” is a delight and will have the viewer laughing while contemplating themes about time, purpose, and companionship.
From Boston Underground Film Festival: ‘Immaculate’ Delivers on Horror
"Immaculate" is undeniably horrifying, with toe-curling gore and relentless suspense that rarely becomes gratuitous.
From the Boston Underground Film Festival: ‘Humanist Vampire Seeking a Consenting Suicidal Person’ Review: Not the Average Vampire Flick
While vampire stories are often interlinked with romance, this is a movie that breaks the norm and does so thoughtfully and hilariously.
‘2024 Oscar Nominated Short Films: Live Action’ Review: Four Heart-Wrenching Tales Plus a Kooky Roald Dahl Adaptation
Award ceremonies are most fun when about underdogs, it might be time to take a closer look at the lesser known Oscar category built for indie underdogs.
‘Blue Jay’: A Hidden Gem in Every Sense of the Word
Fortune favors those who venture into the depths of Netflix, for there they may find the hidden gem of a film that is “Blue Jay.”
‘Problemista’: Navigating Life and Immigration in Absurdity
For Julio Torres, the best way to explain the depths of the U.S. immigration system and life paths is through masterful absurdism.
‘Kung Fu Panda 4’ Review: A Fun Flick, but a Far Cry From the ‘Kung Fu Panda’ Days of Old
Although it’s enjoyable, “Kung Fu Panda 4” is shallower, less funny, and disappointing when compared to its predecessors.
‘Hundreds of Beavers’ Review: Slapstick Reinvented for a Modern Audience
Every frame of “Hundreds of Beavers” is bursting with boundless energy, with each moment more surprising than the last.
‘Dune: Part Two’: A Monument of Modern Cinema
There have been few cinematic experiences that have felt larger than the screen, yet “Dune: Part Two” sets a new bar for what blockbusters can be.
GRRL HAUS CINEMA Review: A Collection That Reflects Its Audience
The mix of programming explored the human experience, offering a blend of humor, poignancy, and creative ingenuity that captivates all.
Boston Underground Film Festival Returns
This year's Boston Underground Film Festival presents a great opportunity to get an early view of what could be some of 2024’s biggest indie hits.
‘Spaceman’ Review: Sandler’s Interstellar Odyssey Orbits a Hollow Core
“Spaceman” could be a meaningful study of loneliness and separation, but it misses the mark, leaving several plot points underdeveloped along the way.
‘The Lego Movie’ 10-Year Retrospective: Building a Legacy of Creativity and Great Marketing
“The Lego Movie” is a testament to the enduring power of creativity and individuality, and its impact is still traceable in major Hollywood blockbusters.
On ‘Oppenheimer’: The Pink Cloud and the Ethics of Subjectivity
“Oppenheimer” has followed the same trajectory as “Unbroken,” but rather than raising issues of representation, “Oppenheimer” has no representation at all.
‘Stopmotion’ Review: An Unsettling Confrontation of Corporeality in Art
“Stopmotion” takes your classic, tortured-artist psychological horror and wraps it up in a sensory nightmare.