The pilot of “The Peripheral” attracts viewers into a vibrant and action-packed world and introduces the show effectively, leaving questions that feel important and pressing.
Each wild and unpredictable moment is steeped in Burton’s signature style. Yet, the series’ true success lies with the jaunty, offbeat coming-of-age story that rises from the chaos.
“Pepsi, Where’s My Jet?” shows Pepsi and advertising in a unique light, while providing some interesting personalities on screen — a true lesson to companies to be careful with what they promise customers, even if they want to sell more of their product.
Despite the unsurprisingly strong performances from two actors who have inhabited their roles for quite some time, the rest of the premiere falls flat.
By placing an emphasis on the separation between the British Royal Family and the rest of the country, “The Crown” takes a step towards a neutral portrayal of the family, balancing out their past idolization with some stark realism.
After a season full of twists, betrayals, and deaths, the season finale of “Vampire Academy,” tries to one up itself with several plot twists that never have time to fully strike their chords.
In a clever expansion of its original premise, the show’s distinctive brand of dark humor and biting exploration of social themes continues with a new cast at The White Lotus Sicily.
While the slow-burn plot may be frustrating for “Game of Thrones” fans who are used to receiving closure at the end of a season, the producers have surely secured a devoted audience for the next season of “House of the Dragon.”
Featuring a broad array of interviewees and an overall understated tone, “I Am A Stalker” at last presents a somewhat respectable option for true crime consumption.
The beauty of “Derry Girls” is that it never tries to find an answer: Its three seasons have captivated viewers with stories of bold, anxious, hilarious, awkward, and earnest teens as they experience the messed-up, beautiful world around them.
Despite the fact that trauma is ever-present in the hair stories of many Black women, “The Hair Tales” does a commendable job of displaying the joy that inevitably shines through.
Regardless of the information overload compiled in this series, “The Playlist” is nevertheless an exciting watch that provides fascinating insight into the hidden secrets of Spotify’s creation.
While other CW shows such as “Riverdale” and “The Flash” have a “so bad, it’s good” appeal, "The Winchesters" is a jumbled mess that forgets how to entertain its audience.
“The Watcher” sets itself apart from other stalker films by focusing on unexpected sources of fear apart from the main antagonist.
AMC may have begun the next vampire dynasty: "Anne Rice's Interview with the Vampire" brings the seduction, murder, and escapism of the genre to today's high-quality television landscape.
The Season Two premiere of “The D’Amelio Show” delivers on all fronts, giving viewers a good share of drama but also a deep and relatable look into the anxiety associated with trying new things.
From the outset, “Andor” strives to both illuminate a new side of the galaxy and to appeal to fans of George Lucas’s original film trilogy.
Evan Peters lives up to expectations in playing Jeffrey Dahmer. Unfortunately, the show's redundancy rather insensitively demeans the victims through their pain as merely one among a host of other depicted murders.