Crimson staff writer
Charles W. McCormick
The exhibit attempts to parse through the perpetual “bombardment of images” we consume regarding migration, according to Raquel Vega-Durán, who chairs the Faculty Advisory Committee for Ethnicity, Migration, and Rights.
We must face the reality at the bottom of the social media madness: A legend has retired, and he’s left big cleats to fill.
You know that moment when you pick up a magazine, take a little personality quiz, and then decide to get a divorce? Yeah, we’ve all been there.
Many underestimate the power of a few household garnishes here and there, but interior dorm design isn’t something one can pick up willy-nilly.
“Vamps After Midnite!” artfully weaves together parody with impressive individual performance, ultimately distinguishing itself by embracing the humor in burlesque’s sheer outrageousness.
Despite the intensity of the matchups, the evening was characterized by smiles, hugs, and supportive interactions between dancers.
On March 19, The Harvard Crimson joined Odenkirk as part of a virtual roundtable to discuss his foray into the realm of action entertainment, the production experience, and the significance of representing the “nobodies” of the world.
“News of the World” transcends its modest Western derivation to deliver a poignant tale about building connections where humanity is scarce, affirming the beauty and importance of storytelling along the way.