Crimson staff writer
Carmine J. Passarella
This attempt at radical inclusion falls flat. Part of the problem is that Moschovakis’s storytelling is far too excellent.
“This event represents an institutional shift in the focus that gender and comedy is getting on campus and how that might disseminate outwards to the greater comedy scene.”
For Golyak, taking action means taking what he does best — creating art — and bringing it out of the past and the realm of the fiction to the here and now.
One would be forgiven to expect a relatively quick, somewhat educational show that manages to both soothe and stimulate, but they would be wrong to do so.