Crimson staff writer

Lanz Aaron G. Tan

Latest Content

‘One Night in Miami…’ Dissects Power in America

Based on Kemp Powers' stage play of the same name, Regina King’s directorial debut “One Night in Miami…” is a thoughtful (if conventionally plotted) thesis on power and civil rights in America.

Arts Vanity: Quarantine Films About Quarantine

Well, 2020 didn’t end up being the year that I nor anybody else expected when it came to film. But here are four films about quarantine to watch in quarantine to soothe all your lockdown woes.

From NYFF: ‘French Exit’ is a Rare Disjunctive Delight

It’s eccentric with a capital “E” and a complete tonal mishmash that shouldn’t work on a conceptual level, but director Azazel Jacobs’ absurdist satire “French Exit” salvages a vibrant, beating heart from the unlikeliest of places.

From NYFF: ‘Red, White and Blue’ is a Powerful Introspection

It’s not as euphoric as “Lovers Rock” or as exciting as “Mangrove,” but director Steve McQueen's “Red, White and Blue” is a cogent, politically charged meditation on structural racism.

From NYFF: ‘Tragic Jungle’ is Tragically Forgettable

Olaizola’s film is supposed to be an otherworldly experience — a fever dream fraught with woozy visions of unexplained horrors and carnal desires. But “Tragic Jungle” is neither evocative nor frightening; in fact, it’s rather bland.

From NYFF: ‘The Woman Who Ran’ is a Head Scratcher

Instead, acclaimed South Korean filmmaker Hong Sang-soo (credited here with the Herculean task of serving as writer, director, producer, editor, and composer) creates a film that, while far from a clear read, uses well composed cinematography and earnest character conversations to push multiple thematic interpretations.