A New Kind of Porn is Coming

In audio porn, there’s something symbolic about being directly addressed as you, specifically, are guided to your climax. For all intents and purposes, you’re the main character — regardless of the dynamics in the story.
By Josie F. Abugov and Elyse D. Pham

During her junior year of college, Caroline Spiegel sent an online gift to her sorority sisters. A few days later, after they’d had a chance to investigate, they reported back to her with exciting news. “Everyone was coming all the time,” she says, smiling. “It was great.”

Next thing she knew, she was dropping out of Stanford and scheduling meetings with potential investors.

She first stumbled upon audio porn in the recesses of Tumblr, after an eating disorder made it hard to get wet and impossible to come. Traditional porn wasn’t doing it for her, even the “feminist” kind. But her sorority sisters’ enthusiasm about the gift — a link to a masturbation audio clip — coupled with her own long sought-after orgasms, clued her into an aspect of women’s desire that had yet to be examined, let alone capitalized on.

She abandoned her computer science degree, moved to New York, and co-founded Quinn, an audio porn platform geared towards women.

The process of getting investors was strange, she says — most prospects said no, and many seemed uncomfortable even talking about sex. “The investment community has a long way to go in terms of sex tech,” Spiegel says.

In pitch meetings, she frequently invoked the sheer size of the untapped market. “Billions of women masturbate and the majority use their imagination,” she says. With only 30 percent of women watching visual porn, she explains, “it’s a huge opportunity when you view it in terms of numbers.”

***

While Spiegel was hustling to get her audio porn startup off the ground, we were navigating the unfamiliar landscape of college hookup culture, placed together as roommates in Canaday G44. One Sunday night, we both had guys over for the first time. When they departed, we were disoriented because we’d never considered ourselves the “kind of girls” that this would casually happen to. So, naturally, we spent the next few hours narrating our escapades in too much detail, dissecting sex and relationships, and comisserating about how confused we felt.

That morning, we failed the Bechdel test in a way the test doesn’t really account for: The whole time, our conversations about men were just another way to figure ourselves out, a lens that made the world a little less chaotic.

About a year later, when we did consider ourselves the “kind of girls” we used to think we couldn’t be, we found Quinn. At this point, we were Women, Gender, and Sexuality Studies concentrators — we’d spent hours analyzing our own sexualities and poring over gender theory, so porn and masturbation were typical topics of discussion for us. Still, Quinn as a medium was new and exciting.

Hundreds of thousands of people use the platform every month — 70 percent women, 30 person men, mostly in the 18 to 25 age range. Nonetheless, the company consists of only three people. Spiegel, the CEO and CTO, does most of the coding for the site and manages the company’s finances. Jackie Hanley, co-founder and fellow Stanford student, handles the day to day operations. Lucie Fleming, head of content, landed the best job of them all: Not only does she reach out to and communicate with audio porn creators, she also spends hours every day listening to narrated sexual fantasies and the percussion of kinky sex. Unfortunately, there are no internships available.

All of their work is informed by the explicit intention of running Quinn as a feminist platform.

“There’s something really empowering about not worrying about somebody else. In fact, having someone worried about you,” she says. “In that moment, that’s kind of what we try to do with Quinn — give you a moment where you’re the object of someone’s desire. You’re enough. Your butt’s perfect, you know? Everyone deserves to have that feeling.”

Throughout college, we’ve tried to follow that feeling — the thrill of being wanted. Sophomore fall, in the corner of a final club party, we found ourselves jointly flirting with a charismatic and good-looking acquaintance and entertaining the idea of a threesome. We were on a power trip, especially when we told him our ideas about gender and sex and power. We felt hot and smart in equal proportion.

***

Harry, 26, is a prolific creator on Quinn. In May 2019, he stumbled upon an ad that read, “Sexy voices wanted: $10 per minute.” He was intrigued. After submitting a 30-second clip to Quinn, he heard back from Spiegel, who said she loved his voice.

We were somewhat relieved when Harry told us that he’d prefer a phone interview to a Zoom call. The possibility of seeing his face would feel like encroaching on something sacred, and we were glad to preserve the mystery that accompanies a disembodied British voice.

Now, he’s uploaded over 30 pieces of audio to the site, ranging from “Honeymoon” to “On All Fours.” The two most-liked clips on his page are “Daddy Gets Rough” and “Harry Eats You Out” — which suggest somewhat opposing ideas of women’s fantasies.

“I turn you around. You feel my firm cock poking from behind,” Harry says, punctuated by moans, in “Birthday Treat.” He continues, “I reach around your front, grabbing handfuls of your tits, lathering them up as water rains down on your bare chest.”

Spiegel describes his work as falling under the “Boyfriend Energy” category, as opposed to “BDSM” or “Daddy.” Harry agrees with this characterization — to an extent.

“I think I’ve done maybe one or two audios where the woman was the dominant one,” he says. “But in general, I take that sort of traditional, masculine role, where it’s like, I’m in control, that sort of thing. But I think a lot of women like that, you know?”

Even as the audio clips he creates reify traditional, heteronormative gender ideals, Harry has noticed a marked evolution in his own sex life since he started creating content for Quinn. He says the sex has become more feminist.

“I definitely get more out of centralizing the woman now,” he says. “Before I was probably quite a porn-conditioned kind of guy, where I was just all about focusing on my own getting off, basically. But now I definitely will take more pleasure in pleasuring the woman.” By “porn-conditioned,” he’s probably referring to how both the perspective and arc of mainstream heterosexual visual pornography follow the sexual pleasure of the man. The camera functions as a voyeuristic male gaze — almost always focusing on the woman, but for the presumptive male viewer — and the narrative culminates in the guy “blowing his load,” Harry notes.

In audio porn, there’s something symbolic about being directly addressed as you, specifically, are guided to your climax. Sometimes, that means that you’re getting dominated and instructed to “push that ass into my face, babygirl”; others, you’re being caressed as someone tells you, “I’ve been in love with you since I first laid eyes on you.” For all intents and purposes, you’re the main character — regardless of the dynamics in the story.

Still, that story is worth interrogating. When it comes to sex, does the pure embodiment of desire outweigh its gendered implications? As in, is getting off to Harry’s “On All Fours” consistent with radical politics? As in, is the objective loss of power that accompanies slipping into a trope at a final club justified by the exercise of agency you tell yourself it is?

In our encounter with the charismatic acquaintance at the party, there was a drastically different — but probably more apparent — narrative playing out: We were two small women of color giggling about sex, excited that this tall white man was putting his arms around the both of us. The fact that we were power tripping had no bearing on what we were doing. We were aware of how this looked: The dynamics were exactly as they should’ve been. The internal work didn’t matter.

Throughout college, it’s been tempting to act as if the disquieting patterns in our lives are set in stone. But that mentality feels kind of lazy.

“We can choose how we want to treat each other, and how we want to think about each other,” Spiegel says. “I think that’s a powerful statement. Imagine a different world where, you know, there wasn’t this elephant in the room every time you were sleeping with someone — about how you’re valued in the world and how they’re valued in the world.”

Because of Quinn, Harry’s experience of pleasure has shifted. Satisfying women’s pleasure amplifies his pleasure, and he describes his newfound mentality as more holistic and healthier than before. Maybe, in this different world, the embodied feeling of what we want and the understanding of what that means can actually align.

***

For the past couple years, Spiegel’s life has revolved around feminist audio porn — dropping out of school for feminist audio porn, coding for feminist audio porn, confronting venture capitalists for feminist audio porn.

And yet, she’s still contending with whether feminism can be a referendum on what turns us on. After all, being aware of how patriarchal structures inform our desires doesn’t change the reality of desiring them. As far as Quinn is concerned, Spiegel says, “On a practical note, anyone can like whatever they want and I don’t really care.”

In almost every way, this is what we believe and how we live our lives. In conversations with friends, the wilder the hookup, the more exciting the debrief over Sunday brunch. But that doesn’t mean that we’re completely, or always, at ease.

“There’s something obviously enjoyable about submitting just as a concept, right? Like, forget that submission is tied to being a woman. As a concept, it could be nice to be in control sometimes and it could be nice to be submissive sometimes,” Spiegel says. “But then you have this feeling of like, what does that say about being a woman today?”

This dissonance is as insidious as it is intoxicating. There’s a moment when you figure out that what you want, what sometimes feels empowering, lands you right back where you started — whether it’s a disembodied British voice or a handsome acquaintance.

“I went streaking with my friends, and we were just running naked. And then later that night, I was hooking up with this guy, and I was having the worst sex ever,” Spiegel says. “I was like, how can you be so liberated that you could streak naked through a campus, and then like, choose to be fucked terribly and not say anything about it? Like, what’s wrong with me?”

— Staff writer Josie F. Abugov can be reached at josie.abugov@thecrimson.com.

— Staff writer Elyse D. Pham can be reached at elyse.pham@thecrimson.com.

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